I just imagine Scorpius dragged Bea along to some swanky Malfoy event and she’s sitting down while he chats everybody up and she’s all bored and pouty because they ran out of cake.
| Julia: | maybe [scorpius] loses his sight in a fire and the final chapter is bea approaching him and him going 'bea, bea, is that you?' and she's silent and he touches her face and i think that would be plagarising jane eyre |
I… just had a dream where I was at Bea and Scorpius’ wedding. Everyone was sitting down at the reception and Draco was telling a story about Scorpius being on the internet, and Scorpius, who makes his entrance into the reception area via wooden slide while transfigured as a giant piece of celery, was like ‘but hoW COULD WE HAVE HAD INTERNET’ and Draco just nodded wisely, ‘we had internet.’
Muggle rules were hard-coded by formulas and physical limits, but magic was breathable. It made up its own rules when it was bored and filled in the gaps of science, an axiom here, a miracle there. - And Capers Ensue 19
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“I discovered today that no one believes in me. Not my father. Not Anjali. But you know what’s funny? You do.” - And Capers Ensue Ch. 16
Answer:
That’s the plan! It all sort of goes together anyway, like one big ending. There’s a lot of things to end.
#questions #and capers ensue
GOODBYE, FAREWELL, HELLO ◆ And Capers Ensue finale mix
[ LISTEN ▸ 8tracks ]

Hello from airport wifi!
THAT WOULD BE PERFECT, return of my sanity ?????? Baha, I just didn’t feel like officially putting anything in there at the moment. I’m likely going to reread/edit all of Capers because it has been SO LONG. Standard procedure for me heh, but I may add new details, which I don’t usually do. I always meant to get into their family life more, etc. and er I madee up a lot of things as I went, so still trying to bridge those a bit. But I’ll mention here if I add anything important. Then I’ll write the last three chapters in a row, because it’s basically one ending split into three chapters. The last one is likely set ~3 years later. gubs already witnessed me getting emotional over thinking about it.
Game
“…OH DEAR MERLIN, THERE ARE FIRST YEARS IN THIS ROOM, HANNAH!”
Hannah quickly extracted herself from straddling Jeremy’s lap and stopped what seemed to be inhaling his face.
Capers
Every first week of school, some first year would go missing for a whole day only to stagger out of the maze in the dead of night, gasping for food and water.
Rose brightened, almost to the point where she wouldn’t scare away first years on sight.
It was almost as if a parade were marching past the room, but Hogwarts hadn’t had one since one of the first years got stuck in their fly-trap tuba.
The no-holds barred rush commenced to the refreshments table; three first years were harmed in the process.
James swung her around (another two first years were harmed)
etc. etc. surprisingly does not have much first year abuse, but they like to appear out of nowhere
We jostle past the feverish first years bounding out of Herbology.
I’m heading back to the dungeons when this first year barrels down the hallway out of nowhere.
A first year leaps into view behind Babbling, followed by three more girls.
i like to imagine there’s a small army of small witches and wizards ready to trip over their feet on cue
for Julia — and me, because I didn’t make it :’D — ‘We Killed Scorpius’ monkey bread made by my friend/occasional beta Sally ~
for Gina, because the many miles between us prevents the existence of real ‘we killed Scorpius’ cake.
And Capers Ensue Ch. 24 preview
I half-intended this but it’s kind of funny now that I think about it. Bea has extremely high standards for male attractiveness. There’s James, Teddy, Xavier, Scorpius. All extremely unattainable, too (well, one for being a professor and another for being gay).
but wow girl’s got good taste.
IT HAS BEEN AWHILE.
spoilery ramblings about my terrible acting and the original Capers ending below →
Answer:
Eee, thank you! :3 I am totally undeserving being so sluggish and wallowy lately.
I answered a similar question on a thread on The Golden Snitches recently, about my character creation process, and generally, my stories ideas have formed around the main characters:
I realized that I don’t really know my characters until I write them for a good amount—which is why I’m really excited for OF, because then I don’t have to write serially! I have an idea of their personality, but not so much how they’ll react to a specific conflict until I actually get to writing it, if that makes sense. But also a lot of the initial inspiration comes from character types that I feel are underrepresented or misrepresented. From ‘Capers’, Bea started as ‘what if I put the token genki girl* (m) in the main role?’ and Anjali was ‘let’s put turn the sometimes-villain-anti-hero that’s usually a hot male who stars in tumblr gif sets into a female’ and Clemence was a product of my frustration over ice queens always having a heel-faced-turn* (m) change of heart/tragic backstory as justificiation.
Those bits about Bea and Clemence’s characterizations are a huge part of how both of those stories got started. Plots tend to be fairly malleable for me.
When I started writing Capers, I wanted to write something ‘like Ocean’s 11 and Inception with rappelling and anti-gravity hallway fights’, but it doesn’t end up having either rappelling or JGL defying physics. I’d seen it as a slick adventure fic with lots of bromance, and it became a derpy adventure fic with friendship and cupcakes, which has its own charms!
When I started writing etc., which wasn’t long after, I wanted to write something that was a guilty pleasure for myself. I write what I want to write at the moment, which can mean some diatribe on teenage social norms, hidden message involving fandom dynamics or, well, gratuitous snogging. So while Capers is the story I’d like to read, etc. is the story I like to write.
I often get comments on how different these two WIPs are—Capers is the homage to friendship and hope, while etc. is a shrine to cynicism—but to me, it’s like looking at the two sides of myself, a cynic and optimist, which I suppose cancel out to become a realist. In a sense, the fics are both about a similar war—hopefuls vs. apathetics—just told on different sides.
(bear with me, I’m terrible with paragraph transitions; anyone who’s graded my papers can tell you) I also owe a huge part of it to subconscious inspiration from the books I loved reading growing up, which I’ve been rereading lately. Mostly fantasy with pragmatic heroines, and I’m making a list but I’ll post it separately since this message is rambly enough.
I doodled one of them and was going to post it with this answer, but I’mma make it colored and shiny so it’ll get its own post. When I write my OF, I think the Tiffany Aching branch of the Discworld novels by Terry Pratchett are going to be a huge inspiration, because she’s quite like the heroine I want to write, and I’d like to be able to inject humor like Pratchett does, not to mention the world-building for Discworld in general is phenomenal. I suppose that’s why he was knighted for services to literature.
ANYWAY I am going to awkwardly cut off this answer right here, because again, terrible at transitions.
